Kevin Craig

Writer, Poet, Playwright


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The Reasons – An Excerpt!

So, if you have not yet read THE REASONS…I’d like to share a portion of Chapter One with you here today. Let me know what you think. It’s available now most places ebooks are sold.

The Reasons at Amazon

The Reasons at Kobo

The Reasons at Barnes & Noble

The Reasons at my publisher’s website

The Reasons sells for $3.99 (or thereabouts).

You will notice that Chapter One is sub-titled Tobias Reason. This is because The Reasons is first person POV…and the POV changes with each chapter. Tobias, the son, and Maggie, the mother, alternate chapters. Enjoy this excerpt!

In the midst of absence, death, and insanity, Tobias longs to make his family whole again.

With a mostly absent father, a deceased older sister, a younger sister on the verge of invisibility, and a certifiably insane mother, Tobias Reason is forced to grow up quickly. Though he tries to be a surrogate parent to his sister, their broken mother, Maggie, takes up a lot of his time. Annabel falls to the wayside and becomes a ghost in their chaotic existence.

When Maggie flippantly hands her mother’s house over to Tobias, he sees an opportunity to learn how and why his family became so shattered. Be careful what you wish for. When his world begins to collapse from the weight of unburied secrets, he focuses on a stranger from his parents’ past. Only by eliminating the past, he believes, can he make his family whole again.

 

Chapter One

Tobias Reason

My mother was always losing things. She once lost my dead sister. She spent years looking for her, but by the time she had lost Deja she was far too gone to realize there’s no finding the dead. When you lose sight of them, they are gone forever.

I was ten years old when Deja died. She was the oldest Reason child—gifted, bright, and headstrong. She had just finished high school and was contemplating her next steps in life, pondering her choices.

Deja and her boyfriend, Mark, headed out west right after graduation, to discover the Rockies. She was obsessed with mountains. Deja did everything big. Her journey of discovery should have lasted the entire summer. I saw this journey as her way of putting space between herself and our overbearing mother, though the Himalayas are a hell of a lot bigger and a lot farther away. Had I been able to stow away in her Volkswagen Beetle, I would have. The thought of sharing a house with my mother and my younger sister, Annabel, for a whole summer scared me beyond words.

* * * *

There is something unmistakable about the knock on the door by an OPP constable delivering bad news. I didn’t know what it was, of course, until after I answered it. Having answered it, I will never forget it.

“Is your mother home?” the constable asked me. He was impossibly large. I craned my neck to look up at him. He stood like a statue, with a thick clipboard in one hand and his hat in the other. He’d used the clipboard to knock on the door. I knew a hand had not made that sound.

I hadn’t ever seen a police uniform up close. As I looked at him, with his walkie-talkie on his shoulder and his gun holstered at his side, I wrapped my arms around myself. I shivered, entranced by his thereness. Eventually, I pulled myself away from his stern look and raced to the living room to get my mother.

“Maggie.”

Our parents had always insisted we call them by name. I shook her arm to wake her from a reverie. She sat in front of the television, pretending to be glued to the soap opera playing out on the screen. She stared beyond the screen, though, lost inside her cosmic Maggie thoughts.

“What is it, Tobias?”

“There’s a policeman at the door, Maggie.”

Her eyebrows crinkled. She didn’t want to be bothered. The details of the real world constantly intruded upon her inner universe. She had no time for reality once she slipped into her imaginary world.

“Why would a police officer be at our door?”

“He’s here,” I insisted, amazed she would not run to see what he wanted. “Waiting for you.”

She stubbed her cigarette into the ashtray beside her and rose from her chair. I ran ahead of her, eager to find out why the police had shown up. I couldn’t think of any reason they would come other than to arrest someone.

“How can I help you, Officer?” she asked. Her fists were tight balls at her sides and she was lurching forward, ready to pounce.

“Ms. Reason?”

She nodded and folded her arms.

“Ms. Margaret Reason?”

“Yes. Maggie. This is my house. I don’t know who else you would be expecting to find here.”

“Could I please have a word with you, Ms. Reason?”

“You are, sir. You are having many of them with me,” she said, unable to disguise the scowl of impatience on her face.

I worried she might get herself into trouble. Can you be arrested for being rude to the police?

The officer nodded his head in my direction and I knew immediately what he meant. I’d have to leave so they could have a conversation in private.

“Alone, ma’am, if you will.”

“Tobias is fine, Officer,” she said. “I’m not really in the mood for games. If you will let me know what you’re here for, I can—”

“I’m terribly sorry, ma’am, but I’m afraid I have some deeply unsettling news for you. Can we sit down? Somewhere private?” He looked at me again and seemed annoyed that I would not take the hint and leave them alone. But I wasn’t budging.

“What is your name?” she asked, not inviting him in any farther.

“I’m Constable Ryan Murphy, ma’am.” He held out his badge.

She inspected it longer than was necessary before looking back up into his face. “Constable Murphy, please let me know the nature of your visit. I’m not one to fiddle-faddle. And Tobias is not leaving my side. I would like the gist of your—”

“There’s been a vehicular incident, Ms. Reason. Your daughter,” he began, and looked down at his clipboard before continuing, “Miss Deja Reason. She was involved in the accident. Her Volkswagen Beetle was involved. The collision took place on King’s Highway 11, between Braintree and Richer, Manitoba.”

His monotone voice cut into me as he methodically listed off the details of the accident. As the words left his mouth, they began to weigh Maggie down like bricks. First she hunched her shoulders and then sagged closer to the floor. Her composure crumbled as the officer continued to speak. I missed most of the words, but understood their meanings as they registered on Maggie’s face.

“…I regret to inform you that despite the concerted efforts of the paramedics on scene, they could not resuscitate your daughter.”

For the first time, I noticed how young the officer was. Though his voice remained cold—like steel—he was cracking. He swallowed too frequently and his eyes misted with un-fallen tears.

Maggie slowly collapsed to a cross-legged position on the front hall floor. She bent her head into her hands and her raven hair shrouded her face. She began to rock slowly back and forth in silence.

“Both Deja and the driver,” he continued, now making eye contact with me as he spoke. As if I was adult enough to hear the information. He referenced his clipboard again. “Mark Bennett. Both Deja and Mark Bennett were killed instantly. Their Volkswagen, travelling westbound, was hit head-on by an eastbound vehicle attempting to overtake a transport-trailer.”

He stopped, looked to Maggie and then looked back at me. He scowled as he wiped an errant tear, as though he were angry with himself for not keeping his façade of emotional detachment. Or angry with Maggie for not participating in the way he figured she should. I had begun to cry, but had not yet thought to wipe at the tears. Seeing him swipe at his own tears brought me back to myself. I wiped my face on the sleeve of my shirt.

“Ma’am. It took a while for the emergency vehicles to respond. There’s a long empty stretch of highway there and they were right in the middle of it. But be assured they did the best they could. They made every effort. Every effort. The road conditions were wet, but manageable. The fault of the collision rests on the other driver. Had he not—”

Maggie lifted her head and let out a wild, wailing moan, interrupting the officer mid-sentence. Her shrieks soon filled the cramped hallway and I fell into crying with her, my sides hitching uncontrollably as I tried to stop myself and hold it together.

Deja had been gone for only three days. After a lifelong desire to surround herself with mountains, she got only as far as the barren flatlands of Manitoba. For me, this deepened the sting of her death. She had longed for mountains and died in one of the flattest pieces of land on the globe before ever reaching them. Even at ten, the tragic irony in her death was not lost on me.

“Deja, love!” My mother looked up into the kitchen doorway as though her eyes were called there. She swiped wildly at her tears and smiled. The smile was incongruous below the black trails of mascara cascading down her cheeks. “Please. Tell this kind man that you’re fine. Deja, don’t you ever scare your mother like that. You beast! Tell this man he need not be here harassing us and trying to scare the living hell out of us on such a beautiful day.”

She rose, ran to the doorway, and reached into the empty space. She fell over herself to embrace the invisible apparition.

“Mom?”

She ignored me. I tried to control myself, but seeing her reach for something that was not there sent my brain spinning. As hard as I tried to see Deja, she would not appear. I looked to the officer for help.

He took a few quick steps towards her and then stopped in his tracks. Perhaps he realized for the first time that he was in over his head. He was not quite back to his position at the door when Maggie turned on her heels and rushed him with her arms flailing, ready for battle.

She grabbed at the front of his uniform and pushed him out the front door and down the steps, screaming the whole time that her daughter was—“right there, you bastard. Right in front of your goddamned eyes.”

Though he was much bigger than my mother, his face contorted into a grisly mask of terror as she continued to barrel into him. In her fury, she overpowered him. Seeing his fear took my breath away. They tumbled to the ground and my stomach turned as though I were going to vomit. Knowing he was the only sane one of the two threw me into further despair.

In seconds he was on his back on our wet front lawn, shielding his eyes from the sun with one hand so he could protect himself against the flailing blows with the other. His hat and clipboard lay scattered on the steps.

“You bastard,” Maggie screamed. She straddled him and pummelled him wherever her flying fists landed. “My daughter’s alive. She’s alive!”

“Ma’am, please.” He took advantage of the moment Maggie paused and he grabbed her wrists. He swung her around so quickly, I didn’t even see how it happened. He pinned her to the ground. “Please, ma’am. I’m going to let you go so we can both get up. I need you to cooperate. Please.”

“I’ll kill you. Let go. I dare you.” She would not relent. “Tobias. Go call David. Deja. Please show this officer that you’re fine. Show him.”

Constable Murphy held both of Maggie’s wrists with one hand while he wrestled out his handcuffs.

“Ms. Reason. I’m only putting these cuffs on you for my own safety. And yours. I’m terribly sorry to have to do this. I know how badly you must—”

“Shut the hell up. It sounds to me like you’re deviating from the script, Mr. Despite Concerted Efforts. Mr. Vehicular Incident. Acknowledge my daughter, you bastard. She’s as real as the stupid look on your face. And right in front of you.”

She struggled constantly under his weight, but now that he had regained control of the situation, she wouldn’t get the upper hand again. The handcuffs snapped into position, and the officer jumped up off Maggie in one swift motion.

I stood on the top step of the front porch, unable to move. I knew I had to call David, but her insistence that Deja was in the kitchen had scared me so badly I froze in my tracks. And my mind had gone blank, anyway. I could not remember my own father’s phone number.

“I need backup at 623 Eagle Drive. Officer 4906,” he said into the walkie-talkie on his shoulder. There was a static reply before he continued. “I’m going to need an ambulance.”

Maggie still sat on the front lawn and we were waiting for the ambulance when my father, David Reason, came tearing into the driveway in his pick-up.

The truck barely stopped when David was out of it, making a beeline for Maggie. She was back to her rocking cross-legged position, with her hair covering her face. Her cuffed hands were in her lap. She had stopped yelling and crying, but ten feet away from me the storm of aggression and chaos still swirled about her like a whirling dervish.

“What the hell is happening here?” David asked the officer. “Why in the name of God is my wife in handcuffs? Handcuffs! You better have a damn good reason for doing this at such a time. What the hell is your problem? What’s your badge number?”

He spoke fast and furious as he made his way to Maggie, not waiting for any of his questions to be answered.

“I’m sorry, sir. She became violent. It was the only way I could subdue her. I’m following procedure.”

“Maggie. I’m here.” He fell to his knees on the grass in front of her. Only then did he cry. “I came as soon as I could. They came to my door too, sweetie.”

He embraced Maggie and began to rock with her. I finally found the ability to move. I made my way to join them.

“Tobias. Oh my God, Tobias.” He opened one arm to invite me into their embrace.

I ran and buried my face in his shoulder, felt the warmth of his skin and that reassuring scent of Old Spice and cigarettes.

I cried hard, but knew I was safe for the first time since answering the knock on the door. I held tight and tried to forget about Deja’s death and her ghost in our kitchen.

“Tobias. Your sister is in the car. Could you go get her? Go get Annabel, please.”

I turned toward the car. The neighbours stood on their porches gawking at us. David hated that about our neighbourhood. This wasn’t the first Reasons episode caught by the prying eyes of neighbours on their porches. Nor did I think this would be the last.

I ran to the car to be with Annabel. Her white face was glued to the window. Her pallor was more ghostlike than Deja’s could ever be. I only had time to open the door before the ambulance pulled into the driveway beside us.

* * * *

Even as the ambulance attendants struggled to get Maggie strapped into the gurney for the ride to the hospital, she screamed her defiance.

“My daughter is alive,” she told the attendant. He held her down while the other one tightened the leather strap that secured her to the gurney. “I spoke to her. She’s in the house. In my kitchen. Don’t listen to that man. I don’t know why he’s here or why he’s doing this to me, but you have to believe me. He’s telling lies. I’m not in shock. My daughter is perfectly fine, thank you very much.”

“Ma’am, please,” the young attendant pleaded. “We’ll take you to the hospital and they will medicate—”

“I don’t need medication. I need for somebody to believe—”

“Ma’am. Please,” he said again. They rolled the gurney to the ambulance.

David turned to look at me. “Take your sister inside,” he said. His eyes were cold steel. They left no room for argument, but I couldn’t help myself. I did not want to go into that house. Not without an adult, anyway.

“But, David,” I began, “she said Deja’s in there. In the kitchen. I don’t wanna go—”

“Tobias. Now. Take your sister in the house and wait for me there.”

He was too ruffled to show me mercy. I took Annabel’s hand and we entered the house. As the screen door slammed behind us, my heart rose a little in my throat. I averted my gaze from the kitchen as I escorted Annabel into the living room.

* * * *

Maggie was not afraid to argue with the doctors who medicated her despite—or because of—her stance that Deja was alive and well. She was not in shock, she did not need to dull the pain…her daughter was fine. Perfectly fine, thank you very much.

She still held up a front five days later as we prepared for the funeral. Deja’s body had been flown back to Ontario. Maggie made note that it was Deja’s first ever plane ride. I couldn’t comprehend why this would thrill her. If Maggie believed Deja were in the house, safe from harm and chatting non-stop, how could she also believe her body was on a plane? How could she possibly work the two things into the same delusion? Mental illness is a baffling thing—capable of putting my sister in two places at once without so much as a skipped beat from Maggie.

I wish I could say Maggie only became crazy after Deja’s accident. But I would be lying. Maggie was crazy long before our Deja died. Deja’s death just helped shape the new direction Maggie’s illness would take. With Deja walking around the house whispering into her ear, she was pretty much free to be as crazy as crazy gets. What was once only a mild craziness had instantly skyrocketed into something of Olympic proportions.


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Rabacheeko – A Horror Story (WCDR Wicked Words Honorable Mention)

This short story was something that had me veering completely off my normal course. I actually created a new language of sorts to write it. ultimately, I think the reason it received an honorable mention is that it wasn’t easily accessible to all. It was fun to write, but admittedly a bit confusing. A great experiment, anyhow. It won an honorable mention and was published in the anthology for the WCDR Wicked Words contest. (-:

Rabacheeko


I lay on the super—the sofa—pressing the pulsey pill into the pomegranate—palm—of my hand. My BoDiddly—body—is frozen in trace—in trance. I’m a pairofeyes—paralyzed. Something Margaret has done to me. But my hanglide—my hand—I can move. I can gridlock—ground—that pilsbury—pill—into my palm.

“Take the pill, Trish,” Margaret screeches. But I don’t take it.

When she spikes—speaks—the pilsbury—pill—flexes in my plan—my palm. Did it breathe? Her vice—her voice—was inside the pill. An enchilada—echo. An echo.

“Take the pill,” it echoes, squiggling—squirming—in my filth—my fist. My weirds. My words. My words.

Margaret is my nancy—my nanny. But where is my baby? Margaret was suppose to be watering—watching—my baby boy.

Before I can bring my filth—my fist—to my monster—my mouth—the fried doors—French doors—fly open.

“What have we here?” Margaret cows. Did she caw? “What a pretty little girl.”

A thing that is not a grizzle—a girl—stands in the doorway. I know it’s not really a grizzle—a girl.

“What pretty eyes she has,” Margaret says. “Look at her pretty eyes, Trish.”

But her islands—her eyes—are like mice. Scratching. Her islands—I can’t let her look at me with those islands—those eyes.

Margaret pets the girl thingy’s high—her hair—and it comes off in clumps of crows—of curls—in her fist. Black frothy crows—curls. Margaret doesn’t notice the crows. Doesn’t see.

“Spin, Rabacheeko,” Margaret spies—says—to the girlie thing. “Spin for Trish while she sleeps and slips the pretty pill into her mind.” Did she say mind? I think she said monster—mouth—but I swear I saw mind on her lips.

Rabacheeko? I heard that name because—before—in my whispers—my wind—my meanness. My what?

She’s so tiny. I want to ramble—to run—but my feet won’t mock—move—me. She skitters around the womb—the room. Her tiny freeze—frame—by the widow—the window and then inside—beside—me. Beside me.

“Tee ta tire, Tiki ta,” she—it—says. But I know she says, tee ta tire—take the pill—Trish. I can see it in her mice—her islands—her black oil eyes. “Tee ta tire, Tiki ta.”

I want to ramble—run—but I only press the pilsbury—pill—into my palm. It’s all I can doodle—do.

“Jesus mother filler, Trish!” Margaret says, screaming in the windows shake. The pilsbury screams in my fiddle—fist. I can feel it angry in my grab—grip.

“Where’s my balloon—my bodymy boy!” I beg. “My balloon? You have my bendy—my baby. Give me my madness—my Matthew.”

“I’m afraid we’ll be needing your madness, my angel,” Margaret sings. “But if you take the pill, we’ll give you a balloon. You fucker, sweet girl.”

The Rabacheeko girl thing is nightly—naked—and her nipples nearly cry. Her veins are blackbird—black—and squinty—squiggly—in her skin. Her hunger—hand—reaches out to touch me and I scrim—scream. But my voice comes over—out—of her raw mint—mouth, not mine. The scream exits her mint—mouth—in my voice. I cry.

“My billy bub!” the thinging tinkle—girlie—wimpers—whispers. “My billy bub bounce biggy!”

She brings something out of her mint—her mouth. A plinger—a planet—in small. She lets the black planet shining in her heart—hand—come out to play. It doesn’t bounce. It hungers—hovers—in the air. The black shining planet hovers in the air above her hand.

“Looky, Tiki ta!” it says. It squirms like heat. Rabacheeko grizzle—girl—squirms like heat. “My billy bub.”

I squeeze the pilsbury—pill. I want to swillingly—swallow—it willingly. I want my balloon—my boy—back, so I want to swilling the pill. I want to eat the pilsbury to stop the plinging—the planet—from touching me.

“Take the pill, you filthy girl,” Margaret says oh so sweatly—sweetly—like a coo. Like a ninny—a nanny. She’s my nanny. She touches my finger—my face—caress. “Take the pill, you fucking filthy fool, dearie.”

“Where’s my baby?” I ask. And I say what I mad—I mean. My words. I say it rigid—right.

“Tiki ta!” the thingling says. “Tiki ta, touch my billy bub.”

My hands that—raven—could not move—they reach to touch the planet black. My mind tries to stoop—to stop—but it reaches, they reach and touch the billy bub. No. Don’t touch the billy bub. But my tongue tinies the black orb.

It stretches and shrieks. I scram—scream. It goes bigger and bigger. A bubble of black.

The girling Rabacheeko thing laughs like diamonds. Sharp. Jagged. And the black planet, like a raven cracking—glass—egg—breaks bigger. Bigger and bigger. It stretches and grows. The girling thing reaches to bring it down to earnest—earth. It stretches wheels and leather.

“Oh Trishbratbaby,” Margaret pleads, shaking me. “Why did you not sweetly take the fucking fool pill?”

The girling thing giants—giggles—and shows me the planet as a wheelchair. It’s grown from a plinging—a planet—into a wheelchair. It sits wicked and wild, waiting for me. Black and swaying, with wheels that scratch—I mean screech! It wants to eek—eat—me. I know.

“My billy bub!” Rabacheeko says in scratching in my head. It’s not a girl, this Rabacheeko. It’s eight years-old and evil ever ancient. It speaks in my heart—my head—from the inside out.

“Nightingale!” I scream. But what I mental—mean—is NO.

“In my billy bub, Tiki ta!” it whistles—whispers—in my egg—ear. But I know she means, in my wheelchair, Trish. Get the frack into—inside—my wickety chair—my wheelchair!

But I don’t move. I squeeze the pilsbury in my fiddles—fingers.

“Magic! I want my balloon back. My bologna. My baby!” I say to Margaret. She wattles—watches—the wheelchair and laughs. My Matthew.

“You don’t have a baby, Trish,” Margaret says. “Remember. You don’t have any children. You can have this pill if you wish.” She holds a pill in her hell—her hand. But I feel the one in my fist. She wants me to tail—take—it. But what will it do?

Madness, Madness, I say in my head. But I know I mean, Matthew, Matthew. My baby. We came for tea. To the new ninja’s—nanny’s—house for tea. I remember. Madness and me. His stroller. His stroller is by the fried—French—doors. Squeaking in the corner like a good striper—stroller—should.

The tea. That’s what took my weirds—my words—poison in the tease—the tea.

The Rabacheeko thing, it rips my flush—flesh—in ribbons. My blur—blood—is falling in rivers. Rivulets of retch—red. It touches waterfall and fingers noisy the falling red. Rabacheeko likes blood.

“My water, mi wata wiggle!” it says and drinks my dripping blur. It’s not a grizzle—a girl. It’s a monstrosity—monster. Rabacheeko grizzle.

Margaret laughs. “Oh Trish!” she says. “Don’t you love my pretty little girl? My Rabacheeko pretty girl.” But I know she means grizzle.

Rabacheeko holds my arm now and pulls it from my shiver—shoulder. The crack of bog—bone—makes me scream. Its—mind—mouth—opens and my vicky—voice—comes out. But retch—red—pumps freely and sprays. Springs—sprays—on the pretty Rabacheeko grizzle—girlie.

“Eat the flying fucking flung pill, Trish,” Margaret howls as she pushes me from the sofa and onto the fringe—the floor. “Eat the filling finger!” I know she’s swearing.

“Mi wata, wiggle, Tika ta!” Rabacheeko whistles wild. She laps at my blur—my blood.

My arms are coated in blur. My mind in shackles chuckles. My baby, my baby.

If I go into the black planet, I’ll dig and dive—die. I know this. I’ll dig and dive—die. I’ll never see madness—Matthew—again.

It reaches lips with teeth to tear my mingle—mind. I scream.

“Tiki ta,” it says like a pretty picture, pleased. I know this is my name. Trish. “Tiki ta.” It holds my flush—my flesh—in hungs—hunks—of hanging in its slippers—slopping—hands.

The wheelchair’s wheels spike—spin—and I know that devils twist inside the works. I don’t want to sit there. But I’m on the grind—ground—floor—and being pulled by the thinging grizzly girl. I scribble—scream. She is wicked. She is wicked and wild.

“Not the blacking!” I say in shout. “Not the blacking blind!” But I mean, Not the wheelchair!

“Tiki ta!” Rabacheeko laughs and picks my blurring—bleeding—body from the frothy frithing flung—floor.

“Inside, my billy bub!” it pleases—pleasures—pleads.

“Here you go, Trish,” Margaret melts. “Your lovely lively pill.” She squeezes it down my mawing mind—mouth. “Forget your lovely baby boy. He’s mine. Here you go, dearie dear. You little foolish fuck.” Her smile is surprise—serene.

I know she will look after my baboon—baby. I look at the chair as Rabacheeko drags me inside. She brings me to the plinging—the planet—the churning—chair.

“Inside my billy bub!” the Rabacheeko scribbles—screams. And she sits me in the cherub—chair. I fall and falling filling fall forever fleshly. And I disappoint—I disappear.

 


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Joni Woodstock – Mitchell Misses the Boat but Captures a Generation in Song!

Every once in a blue moon I like to talk about music. As much as writing has a place in my life, so does music. I will admit here and now, however, that I do not have a single ounce of talent when it comes to music. The States and provinces that have not passed laws prohibiting me from singing are merely the ones that did not yet hear me singing. I took guitar lessons for several years, and quickly forgot everything I ever learned. I do attempt to write lyrics the odd time, but other than that I steer clear. I would trade most things, though, for the ability to sing. When I was a kid, my goal was to be the next Mick Jagger. The closest I ever got to my goal? In upper-grade school, I was called Mick. That was only because I had the fattest lips in the school, though. Kids attempting to be cruel sometimes unintentionally compliment. I did NOT mind being called Mick.

Now that I’ve gone completely away from what I was going to talk about, I’ll need to swing back and pick Joni up.

mitchell, joni

Joni Mitchell. I consider her a Canadian treasure. I heard a sliver of her interview on Q. Poor thing had to miss Woodstock because her agent at the time, David Geffen, thought she wouldn’t be able to fly into the farm and fly out in time to attend the sucky Dick Cavett show she was scheduled to guest on the next day. How mad would you be? I mean, seriously…how mad!? So Joni missed Woodstock. She saw it on TV.

Still, she wrote THE best song about the experience ever recorded…the definitive Woodstock generation song. AND…her version is sooooo much better than CSN&Y’s version. And yet, so many people accidentally give them credit for penning the song. It’s the song of a generation, and too many people don’t realize that Canada’s own Joni Mitchell wrote it.

I love all kinds of music. But something about Joni Mitchell speaks to me on a crazy deep level. When I was 6-8 years-old, I lived next door to a record store (Target Tape & Records). I worked there…but I was too young to be on record as an employee. So my brother and I got paid in records (they’re the black vinyl discs that are slowly coming back into style). I had several Joni Mitchell albums. I think Ladies of the Canyon is my favourite, but I would probably give a different answer on a different day. Hejira is also a hot album! (-:

Today, I wanted to share Woodstock with you…how it was intended. (-: CSN&Y do do a wonderful job…but it’s not Joni. I’ve actually seen CSN&Y do it live. I still have to catch Ms. Mitchell singing it. She has such a soulful and powerful voice. Enjoy!


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An InspiraTO Festival 10-Minute Play (From 2013)

Here’s one of my 2 InspiraTO Festival plays from their 2013 festival. As always, I welcome others to use my plays. All I ask is that you email me for permission, so that I know it is being produced. Thank you! (kevintcraig @ hotmail dot com)

TITLE: WALK-INS WELCOME

©Kevin Craig 2013

GENRE: COMEDY

ONE LINE SYNOPSIS: Cherie has an emergency hair crisis. Her name is not in the appointment book.

CHARACTER LIST:

CHERIE: Disheveled hair. Frantic.

WANDA: Has attitude. Questionable intelligence.

DESCRIPTION: Cherie comes to the salon for a much needed but unplanned hair setting. She has to get past the centaur at the gate before anything else can happen.

SETTING: CURL BAR BEAUTY SALON (This was a site-specific play in the festival. It took place at an actual hair salon, but could be easily adapted to stage)

CHERIE (bursts into salon in a panic, heads for the counter): Please. Help me. I’m having a terrible hair emergency. (She holds her hair awkwardly, as though it may fall from her head)

WANDA: Sure, sweetie. My name’s Wanda. Name?

CHERIE: Cherie. Cherie Reynolds.

WANDA (hopelessly scours appointment book): I. Um. Hmm? Is that with an S?

CHERIE: C. Cherie. Cherry, hold the second R and switch the Y to an IE. (pulls at her hair in frustration, attempting to save it)

WANDA: Oh. Yes. I like that. Still. I don’t see it in the book.

CHERIE: Sorry?

WANDA: I cannot. Find. Your. Name. In the appointment book. CH, S or otherwise. You sure you’re not Violet? Because Violet would be early, but I could probably fit her in.

CHERIE: I’m sorry, but do you recall what I said when I rushed in here?

WANDA: Something like, (raises her voice in faux-alarm and waves her hands in the air above her head) “Please! Please! Help! Help me, help me. Emergency hair thing!”

CHERIE: Not quite. But that’s the gist.

WANDA: So, your name is Violet?

CHERIE: No. I told you. (fusses non-stop with hair) Cherie Reynolds.

WANDA: Your name’s not in the book.

CHERIE: Is that not what emergency means?

WANDA: No. I’m pretty sure emergency means a serious, unexpected and possibly dangerous situation requiring immediate atten—

CHERIE: Bingo! That’s what I’ve been trying to tell you.

WANDA: Well, I said your name wasn’t in the book and you said that’s what an emerg—

CHERIE: Please. No. My name’s not in the book. You can look all you want.

WANDA: Well, why didn’t you say so?

CHERIE: I’m having a hair emergency. You can’t book an emergency. They just happen.

WANDA: I know that.

CHERIE: I’m in desperate need of an emergency appointment. I need a hair medic now, as you can see.

WANDA: (looks at CHERIE’s messy hair) Do you have an appointment?

CHERIE: I’ve lost you again, haven’t I?

WANDA (puts a hand to her chest): I’m right here in front of—

CHERIE: I was hoping I could get in without an appointment.

WANDA: I’m sorry, ma’am. We require an appointment to see—

CHERIE: Oh good lord.

WANDA: Wednesday afternoonish sound good? Wednesdays are ideal for emergency appointments.

CHERIE: I. Don’t. Want. An. Appointment. Put your book away before I—

WANDA: You’re confusing me now, Violet.

CHERIE: My name’s not Violet! It’s Cherie. If I said my name was Violet, would you help me out?

WANDA: No, ma’am. At this point, we both know you’d have to show me I.D. to pull that off. Cherie.

CHERIE: Now you know my name.

WANDA: Hold the second R. That’s right (narrows her eyes at CHERIE).

CHERIE: (stomps her feet) I. Need. My. Hair. Fixed! I have a big night ahead of me. Have you ever had an ex, Wanda?

WANDA: (sudden change in personality. piqued) Well…yes. But I don’t see what that’s got to do with—

CHERIE: I mean, like, a real ex? Not some jerk who took you to the movies once and spilled an extra-large Coke in your lap. I mean a man you lived with, made a life with? Maybe married. That kind of ex.

WANDA (looks sympathetic. comes around to Cherie’s side of the counter): Yes, honey. I believe I have. You’re talking about a Mr. Right kinda ex…but the kinda Mr. Right that got away and left you flat.

CHERIE: Exactly. The man you picked out curtains and sheets with. Paint colours. Him. Tall…dark. Never-gonna-give-him-up.

WANDA: (stares off into the middle distance, remembering, and stage whispers dreamily) Terrance. (puts a hand on CHERIE’s shoulder and squeezes sympathetically) I’m there. I gotcha.

CHERIE: Imagine you have to go to a dinner party and your ex is also going to be there. With his new and strikingly beautiful fiancé.

WANDA: (gasps loudly) No! (puts a hand to her mouth)

CHERIE: (yanks at hair) Yes.

WANDA: He’s gotta see what he’s missing! Regret leaving. Beg you to take him back. So you can tell him, ‘uh-uh…you had your chance, Mr. Man!’ You get yourself into that chair over there (points to one of the stations). We’ll fix this up nice.

CHERIE: (elated) What about the rules?

WANDA: Rules are for times of peace, Cherie. They go out the window in times of war.

CHERIE: And Violet?

WANDA: Don’t worry about her. (she goes and locks the door, puts up the ‘Closed’ sign) You have a man to devastate, missy.

CHERIE: You saved my day.

WANDA: (goes to work on CHERIE’s hair) Don’t worry about that. Tell me what happened. Wait. (passes CHERIE her implements) Hold these. I’ll need my hands on my hips for this. (puts her hands on her hips while CHERIE looks on, perplexed) What’d he do?! (takes back her implements and continues to fix CHERIE’s hair)

CHERIE: The girl from the corner store by our condo.

WANDA: No!

CHERIE: Yes. I thought I could count on Marlin. (WANDA stops fiddling and has a look of shock on her face) He seemed so perfect. I was ready to—

WANDA: They’re aren’t many Marlins in this city that I know of. Only ever came across one myself. 

CHERIE: No. Impossible. You know Marlin?

WANDA: There can’t be two of them, could there? I cut that man’s hair last Tuesday. Yes, and he was here with his sugar. Ooh. I would have slit his throat had I known. 

CHERIE: (shrinks into her chair a bit) Well, maybe it was a different Marlin.

WANDA: Big ears, mole under his bottom lip looks like a—

CHERIE: Half-moon.

WANDA: That man’s been coming in here must be ever since he hooked up with that willowy little girl he’s with. They always come together.

CHERIE: (Slinks further into her chair) This is doomed to fail.

WANDA: No, now. You sit up in that chair. We can do this. No man wants the bacon strip when he can have the pig.

CHERIE: What!

WANDA: No, no. That’s a compliment. Sit down. That girl’s skinnier than a credit card. He’ll have some fun with them bones, but they’re too sharp to keep a man like that happy. He’ll want those curves of yours in no time. Just remind him you’re still there.

CHERIE: (nods her head, as though she sort of understands. sits back down.) What happened to ‘you had your chance, Mr. Man’?

WANDA: You’ll want to land him completely before you drop him like a glass doohickey. You’ll hurt him more if the hook’s set.

CHERIE: You’re being so nice.

WANDA: Well, I like fixing hair. And I like fixing hair for a purpose even more. If I can fix you enough to break this man’s heart, my work here will be done.

          They both laugh.

CHERIE: I feel better already. Thanks.

WANDA: Hell with it. We have to look out for one another these days. You’re gonna step into that place tonight, and ole Marlin’s heart is gonna burst his chest. Mark my words.

CHERIE: I don’t think I could afford that kind of makeover. I just don’t want to look like a total wreck. Fix this mess and I’ll be forever in your debt.

WANDA: No. That’s not enough. We have to lay. Him. Flat.

CHERIE: (looking worried) No, no. Honestly, I just want to look like I’m keeping it together. Really…I’m fine.

WANDA: I should come. (starts to get a bit rough with CHERIE’s hair) I’ll put that man in his place. (reflexively takes some anger out on CHERIE’s hair) I’ll just keep scratching her name out of that book. She won’t get in like you did. I only break that rule for friends and no one messes with my friends.

CHERIE: Your what? Friend?

WANDA: He did not treat you right, sweetie. We can’t have that, now, can we? (looks unstable, ready to kill)

CHERIE: You know…if you could just quickly finish up here—

WANDA: (stops working on CHERIE’s hair) Oh my. I’m sorry. (looks into the mirror, so she can look CHERIE in the eye). I’m so sorry. (looks like she may burst into tears) I don’t know where I went there.

CHERIE: (relaxes noticeably) It’s okay. Clearly, you know what I’m going through. (smiles at WANDA’s reflection) You said something about Terrance earlier.

WANDA: Yes. We all have those men who break our hearts to cookie crumbs, don’t we? Terrance was mine. But I’m okay. Just lost my senses for a moment. (pauses and takes in CHERIE’s reflection) You’re looking better already. Why a little dweeb like that Marlin fellow would ever let you go, I do not know. Don’t try to understand men, sweetie. Soon as you do, they’ll change.

CHERIE: I didn’t mean to bring up—

WANDA: Old trash. That’s all you drug up. Old trash. No bother. Just do me a favour, once I’m done with you. You go to that dinner party head held high. You crush that man with your good looks. Make him realize his mistake. You’re a beautiful woman.

CHERIE: Thank you. (smiles) I’ll do my best.

WANDA: And then you’ll do better. (they share a laugh and WANDA continues to work at CHERIE’s hair.)

END PLAY

 

 

 

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